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China vows to share innovation gains to bolster Asia-Pacific food security_我的网站
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China will promote inclusive sharing to ensure that the benefits of innovation in food security are shared more widely and fairly among Asia-Pacific economies and their people, according to the National Food and Strategic Reserves Administration.
Liu Huanxin, head of the administration, put forward proposals on food security, a shared concern among Asia-Pacific economies, at the APEC high-level public-private dialogue on food security on Thursday.
Stressing the importance of digital empowerment, he said China will promote the large-scale application of innovation across the food supply chain and expand the use of artificial intelligence, digital technologies and smart processing across this sector.
He also called for closer cooperation among government departments, businesses, research institutions and international organizations to promote open and mutually beneficial cooperation in food security.
During the 14th Five-Year Plan period (2021-2025), China kept its domestic grain market broadly stable and deepened international cooperation in the food sector, contributing to food security across the Asia-Pacific and beyond, the official noted.
Over the next five years, China will continue to enhance its overall food production capacity and strengthen its ability to safeguard national food security, he said.
The dialogue, held in the coastal city of Dalian in northeast China's Liaoning Province on Thursday, drew nearly 150 representatives from government departments, business associations, research institutions and international organizations of APEC economies.
。 (ECNS) -- The Night Revels of Han Xizai, a masterpiece from the Palace Museum’s collection, was unveiled at an exhibition in Hangzhou on Saturday. This marks the painting’s first public display since 2011. Attributed to Five Dynasties artist Gu Hongzhong, the scroll depicts a historical scene of Southern Tang Minister Han Xizai's evening banquet. Divided by screens and furniture into five scenes, the painting captures Han’s expressions shifting from outward revelry to inner melancholy. Wei Zhuting, the exhibition’s curator, noted the work is a pinnacle of Chinese figure painting and a vital historical record of the era’s clothing, musical instruments, and customs. Wei pointed out that while the original painting by Gu Hongzhong was probably painted in Nanjing, the piece currently exhibited is very likely to have originated in Lin’ an Prefecture (modern-day Hangzhou) in the Southern Song period. It bears the seal of Southern Song chancellor Shi Miyuan, Wei said. "The painting has finally returned to Hangzhou after more than 800 years,” he added. The exhibition runs until September 20. (By Intern Lin Qiaochu, Zhang Dongfang)
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Published on:05:10:00
